In 1999, the pastoral team of Christ Church, United Methodist, Troy, NY, was led by the Rev. James Fenimore, whose first degree had been in Computer Science. Jim arrived at the church, not quite 30 years old, and aware of the possibilities of the new digital world for a downtown city congregation in a city with one of the leading technological institutes of higher education in the country.
Christ Church became the first local congregation with a church website; the first Troy congregation to record services to CD and copy them for home distribution, then the first to offer DVDs and more…but I am getting ahead of my story.
In 1999, the website was up and running, CDs were, indeed, being produced, but Jim had had an idea based on his reading and conversations with other pastors he met at Drew Theology School, his alma mater…maybe what the church, what the city needed, was a different kind of church event: an evening “service” that did not seem like a church service at all. This would be nothing like a regular service: a dimmed coffeehouse setting, with good coffee and tea & snacks, free of course, live local musicians who could stop by on their way to the local busy bar music scene – paid a decent fee – and a big screen so we could show videos. The local “conference” of Methodist churches had just made it possible to buy into a licensing scheme to screen clips of current movies. Jim set about explaining the idea and winning the budget approval for the expense, which we thought would be near-impossible, but was, in fact, quickly approved, faster than we had dared hope.
We began to plan – and I have to say, there was real excitement about the idea. The upstairs fellowship hall would get round cafe style tables and candles, and a large back-projection screen would be placed on the stage, the projector hanging behind it out of view. Microphones for the musicians would be placed on the main floor of the room at the front, along with a couple of stools for the pastors, and the event run via a computer and sound system at the back of the room. The round tables were placed between those two areas.
The “service” would have no hymns, no prayers, no spoken appeal for donations. It would begin with a brief introduction to a theme – a guiding metaphor – for the evening, followed by the musicians, at times a Christian rock band or singer, but mostly any local talent who wanted to perform, whether a college a capella group, a blues guitarist or band, a classical musician or even an opera singer. The music would last 20-25 minutes of a 40 – 45 minute gathering. “Soul Cafe” was meant to gather those for whom sitting face forward and being told what to say, sing, think and do, just did not work. The title came – with permission! – from one of Jim’s professors: Leonard Sweet had a magazine for preachers of that name, and it was so perfect for us, we asked to use it.
And the main event of Soul Cafe was always the movie clip.
We would find a film sequence, often from a movie that was recently released, often days before so people had not had time to see it; where a more usual service would take a Bible passage and relate it to the world, Soul Cafe clips were picked to ask a question of the church. They represented a comment from the society about the society. So what did that society, have to tell us? The reflections would be no more than 5-6 minutes as the “service” ended, and the gathered group were always left with a question posed by the movie.
Well, I think the congregation, not just the leadership, felt we were being pretty “out there” to do this…
As the planning for “Soul Cafe”began, the church was also starting to use Ebay as a way to sell donated items which had value, though not maybe to those visiting our fundraising events. The leadership team, also being interested in the history of the congregation, would also check Ebay in case State Street Methodist Episcopal items were for sale. Never the best at keeping records, we had found very few historical things in closets, though they included a blueprint from the early 1920’s lining a drawer. Interestingly, it showed that someone at that time was an innovative thinker: one of the plans even showed a ten pin bowling alley being constructed right under the aisles of the sanctuary!
It was a quick glance at Ebay while I was away in the UK that turned up some 80 year-old bulletins of the church. I emailed the Senior Pastor, he put in a bid, and by the time I returned to Troy, the bulletins were waiting for me.
Imagine our surprise – and delight – to see maybe we were not as innovative as we thought!
80 years before, in the days of silent movies, the Church had had movies at the evening service, an innovation of the Rev. Mark Kelley DD – probably the man who had the idea of the bowling alley under the church.
We have only a few bulletins from 1921 and 1922, and many movie titles suggest they came from a religious source: a movie meant to inform about missionary work, or a Sunday School illustration (weren’t they on top of the latest developments!), but some of them seemed to be more about places in the world. I have traced a couple to an archive of educational films: Sights of Suva, Fiji* shown on Feb 19 1922; and Apple Blossom Time in Normandy** shown on May 8 1921.
As yet, I have not found any viewable copies, but wouldn’t it be fun to reenact one of those evening services, complete with their silent movie reel?
In 2005, the very week that the then largest, 50 inch, LED monitors came to market, the church installed two at the front of the sanctuary, along with 2 smaller ones further back, remotely operated digital cameras, a first-rate computer control booth and the latest recording and sound equipment. And so it was that the ability to screen movie clips came to morning worship and Soul Cafe ceased. The expense was considerable, and would have been unimaginable without what had happened in Soul Cafe, but it represented an openness of the congregation to embrace the new. With the new equipment, the congregation could now record CDs of worship, or weddings, or concerts, showing different angles and views. The Senior Pastor, Jim, was working on his Ph.D. on the impact of the digital revolution on church services around the country; the congregation was involved in planning, participating and running our media-rich and metaphor-based worship services. Another new era had begun – but we now knew we were in a congregation which had valued the spirit of innovation and experimentation for a lot longer than we could have expected, when we started on our digital journey.
Janet Douglass, Troy, NY, March 2025.
Motion Pictures for Instruction 1926 by A.P.Hollis M.S. pub. The Century Co. New York 1926. Available as a Google book at: https://docs.google.com/document/d/1V3gCdNeICZOQdWuz5fckOWVWTcbxrEkaPDjaxNDqMLg/edit?tab=t.0
*reel 2 of 5 : Fiji Islands by Burton Holmes Lectures, Chicago; a rental film listed in Hollis p.348
** listed by Hollis, in the Blue-Ribbon List of Films for Cities p.213
The Rev. Dr. James Fenimore’s Ph.D. was awarded by RPI in Troy, and his dissertation “High-Tech worship: Media Technologies and Christian Liturgical Practice” is available on his website: www.JamesFenimore.com. His DMin. thesis: “How a Congregation’s Identity is Affected by the Introduction of Technology-Based Worship” is also available on his website. He has 2 other theses available: “A church on the Edge of an Apocalypse,” a take on the history of Christ Church, is available online at: https://christchurchtroy.org/wp-content/uploads/2021/06/earlyhistory.pdf. Jim first featured the congregation – before he was appointed as the Pastor – in his thesis From meeting house to house of God : the Gothic revival in the American Methodist tradition of Troy Annual Conference (1870-1879), which is available from Drew University.
Jim’s academic work on digital worship included the benefits and pitfalls of using other people’s images as visual representations. The significance can be easily grasped if you have ever seen a so-called Bible-based commercial film, where white skinned, blonde-haired, blue-eyed males prevail scene after scene (except maybe for Judas Iscariot…did you notice that?!) Movies can be enormously helpful – but graphical imagery can subtly mislead – or open us to the moviemakers’ biases or poor scholarship! Finding clips we wanted to present was always no quick task but could lead to valuable conversations about whose ideas prevail in society, and how to be a critical viewer of the imagery around us.
janetintroy 